ARRI ALEXA Mini LF
Has Cinema Power, Smaller Size
Camera Details
| Part | Details |
|---|---|
| Sensor | Large Format CMOS (24.6MP) |
| Size | Large Format |
| Color | ARRI Color Science |
| Resolution | 4.5K (4448 × 3096) |
| Speed | Up to 90 frames per second |
| Formats | ARRIRAW, Apple ProRes |
| Storage | Codex Compact Drive |
| Focus | Manual only |
| Mount | LPL |
Why Film Crews Love It
THE BIG SCREEN LOOK
Fat sensor makes backgrounds go soft while keeping subjects sharp
SQUEEZES INTO TIGHT SPOTS
Fits where bulky cameras can’t – tiny rooms, cars, narrow spaces
OLD-SCHOOL FILM FEEL
Makes digital footage look warm and rich like classic film stock
SLICK SLOW MOTION
Grabs up to 90 pictures each second for buttery slow shots
Who Uses This Thing
Movie people grab this camera when they need top-shelf image quality without lugging around a monster rig. It’s the go-to for cramped locations, handheld work, drone shots, and car scenes. You’ll spot it on film sets and TV shows where space is tight, but pictures must look stunning.
Plugs and Juice
It has all the hookups film folks need and uses the same batteries as the big cameras. One battery charge lasts for hours of filming.
Bottom Line
This box costs more than some cars but gets the job done when nothing else will fit. It shoots the same beautiful footage as the bigger ARRI cameras while slipping into spots they can’t go. The Mini LF rules the roost for tight spaces with no room to compromise on quality.